Rang De Basanti
Casting is great. Each character pursues their emotion, when their emotions are pursued by circumstances. They express both the emotions at surface and those sunken to be brought out by a situational tide. And they do it with truthfulness. Although some of the elder cast could have been utilized more, the focus on the youth and parallels with past figures are well orchestrated. The character that plays Bhagat Singh, Amir Khan, and Sonia are incredible. Each has their own spotlight where they nudge us from complacency and create an unstable sense of urgency.
This is the best screenplay I have seen thus far in Indian media. Although BLACK had great language through what we saw on the screen, this movie has shown the progress of film- making abroad. Finally! The depth and character development we need are supplied with not just turn of events, but the turn of the screen. We don't need just words to understand a character. This movie shows how well a change in scene isn't a transition but an entity that holds together a character and emotion. And repetition! And repetition of words, dialogue, and attitude through the parallels was very inspiring.
The general storyline of the movie is good. I say good because parts of the youth's leisure sometimes can get annoying as well as the camera-work that accompanies it. At times I wanted to push the film forward and get to the point. But that's the point! Point being that we need to understand the choppy nature of the first half because, chops or not, these characters are transient figures who don't realize their role in life until they have experienced the wholeness of reality. It's interesting that the wholeness comes from reflections of the past. The use and reuse of certain scenes are important in showing the character growth built upon experience.
AR Rahman's music captures the reality unbelievably. We have dance numbers, but they're pathetic belligerent kicking and hand waving. Isn't that what we usually do when we're drunk anyways? Although the use of the music is off sometimes and abrupt, the emotion that each peace carries relates so well to the circumstances. The best use, in my opinion, being Luka Chuppi by Lata M and AR Rahman. The symbiosis between the lyrics and the events on screen are incredible. Dramatic irony at it's best.
The cinematography of this film is great in the majority of the film. The few annoyances in cinematography come with the patchy scenes with the first half during these "leisure" rides and early in the second half. But, besides that - the cinematographer and director have made outstanding use of the diagonal view. The lines and profiles of people and country are so well placed that you begin to understand how crooked life's path can be. None of us have a straight line ahead of us.
What makes me enjoy the movie the most is the humor and cause. You'd think with all the aforementioned details that this is a sobering movie about crooked lives and emotions and such, but the characters have fun. Sue's project is hilarious and the use of extras was really earnest. It is very much how I would be acting with friends, of course only when drunk like they are in certain parts. The cause is very important to this film and it makes it a powerful film because it has this cause.
Dil Chahta Hai
Akash (Aamir Khan), Sameer (Saif Ali Khan) and Siddharth aka Sid (Akshaye Khanna), three close friends, have completed their education and are on the threshold of life. Akash does not believe in love. He is a flirt and his love affairs do not last for more than a month. Sameer believes in love. He is always carrying his heart on his palm and falling in love every time. But he still has not found that special girl. Sid, a painter, is the most sensitive and mature among the three. He knows the true meaning of love. He finds love in everything, everywhere and everytime.
All three are enjoying life. Then comes the twist when Sid falls in love with older woman Tara Jaiswal (Dimple Kapadia), an interior designer, who is a divorcee. Akash is not able to understand the depth of Sid's love and hurts his sentiments for which Sid slaps Akash, thus creating a rfit between the two friends. Sameer tries to bridge the gap but is unsuccessful.
Sid leaves for a painting workshop at Kaushali. Akash leaves for Australia for his dad's business. On the flight, he meets Shalini (Preity Zinta), who he had briefly known earlier. Their friendship slowly blossoms into love. Meanwhile Sameer also finds his special girl in Pooja (Sonali Kulkarni), whom he wants to marry. Time has passed. All three friends are again in the same town -- but things are different for them now.
Full marks to director Farhan Akhtar for giving a completely new and fresh look to the film in his debut film. The storyline is different from the run-of-the-mill fares which we are used to seeing for such a long time. Farhan is a welcomed entry in the list of talented and young directors. He has also dared to be different. He has taken care of the minutest details in the film. Technically, the film is no way behind some of the best Hollywood movies.
Now the performances -- all the three leads are fabulous. They all fit their roles to a T. Aamir Khan as expected is the best. He is too good in the comic scenes and is excellent in the emotional scenes also -- especially in the scene when he breaks down on the phone while talking to his father. He definitely is the best among the current lot who does his work with precision and utmost dedication. Saif Ali Khan is a wonderful surprise in this film. This is his career-best role and one cannot imagine anyone else playing Sameer's role. His sense of timing and facial expressions are very natural and makes Sameer a very adorable character in the film.The least significant role was of Sameer but Saif made it very important. Now comes the final winner -- Akshaye Khanna. An actor-par excellence and very natural in front of the camera, Akshaye has played the role of Sid to perfection. His emotions and expressive face say a lot. He has given a spell-binding performance. Preity looks great in her new look and has acted well. Sonali Kulkarni is wasted and Dimple Kapadia still looks gorgeous and plays her role well.
Music and the picturisation of the songs flow with the mood of the film. The locales of Sydney and Goa have been brilliantly shot. The first half of the film has some of the light good moments. The second half is filled with emotion though the Aamir-Preity affair has been stretched a lot thus making the film a bit lengthy. But one thing is sure -- Bollywood has got one more talented director in Farhan Akhtar.
Rock On!!
Easily my fave movie of this year.
Rock On!! portrays the essence of friendship albeit in a different narration, does call for a round of applause for a theme which might not be so popular in India i.e. Rock.
The story revolves around four friends forming a rock band called Magik with Aditya ( Farhan Akhtar) the lead vocalist and lyricist, Joe ( Arjun Rampal) the guitarist, KD ( Purab Kohli) on the drums and Rob ( Luke Kenny) on the keyboard, out to cut out an album. Somethings go awry and the friends who shared the same passion drift away, each leading their own life.
A decade later, some circumstances bring these four friends together and Magik is in action again to give the most memorable performance ever.The story of course has more to it but you rather watch the movie to learn that.
Director Abhishek Kapoor has captured the fragility of relationships on the celluloid with compelling ease. Farhan Akhtar has emerged as an actor and as a super singer, with no signs of débutant syndrome to be seen in his performance. Arjun Rampal surprises with one of his finest performances till date. Shankar-Ehsaan-Loy;s music just rocks.
The movie Rock On has the blended concoction of some outstanding performances, engulfing emotions and topping it is the execution of the entire theme. I have a gut of the film Rock On is going to rock the box-office as well.
Rock On!! portrays the essence of friendship albeit in a different narration, does call for a round of applause for a theme which might not be so popular in India i.e. Rock.
The story revolves around four friends forming a rock band called Magik with Aditya ( Farhan Akhtar) the lead vocalist and lyricist, Joe ( Arjun Rampal) the guitarist, KD ( Purab Kohli) on the drums and Rob ( Luke Kenny) on the keyboard, out to cut out an album. Somethings go awry and the friends who shared the same passion drift away, each leading their own life.
A decade later, some circumstances bring these four friends together and Magik is in action again to give the most memorable performance ever.The story of course has more to it but you rather watch the movie to learn that.
Director Abhishek Kapoor has captured the fragility of relationships on the celluloid with compelling ease. Farhan Akhtar has emerged as an actor and as a super singer, with no signs of débutant syndrome to be seen in his performance. Arjun Rampal surprises with one of his finest performances till date. Shankar-Ehsaan-Loy;s music just rocks.
The movie Rock On has the blended concoction of some outstanding performances, engulfing emotions and topping it is the execution of the entire theme. I have a gut of the film Rock On is going to rock the box-office as well.
Kal Ho Naa Ho
Being one of the first person to watch Kal Ho Naa Ho in my group, I was constantly battered by the same questions: is it worth it? what would you compare it to? whats it about? etc.
To answer these and other questions:
Was it worth it: well depending on your perspective of what an entertaining movie should be like, then the answer would either be: 'yes definitely' or 'you will be mad to miss it'. It is so worth watching and with it Karan Johar has confirmed the he is indeed a milestone in Hindi Cinema history. The movie is definitely directed by a another (Nikhil Advani), but it is a Johar camp movie. With the Johar camp you associate a good story, good production, good songs and the 'King Khan'.
What would you compare it to? Well to be honest .nothing. It has the originality of `Kuch Kuch', the splendour of `K3G' and the freshness of `Dil Chaata Hai'; but it cannot be compared to any of these or other movies. It is in a league of its own. The story may start as the run-of-the-mill hindi-cinema story, but just when we begin to get comfortable with it, it takes a turn down another path. Don't get me wrong, it is not a complex story at all - but it is unique and compelling.
Would you watch it again? Well to be honest, I am writing this after having watched it a second time. What is so rare about this movie is that even the second time round I laughed at the jokes, tapped at the music and got emotional in the sad scenes.
What's it about? Well it will not be fair to tell you about it, as it's an experience you should have first hand. But it has its plus points: the comedy is great (both in the gujju digs as well as the 'kantabein' scenes); the music grows on you (maahi ve being the best); the guest appearances of 'charmed' actresses; the acting - excellent all round from SRK to Zinta to Saif to Jaya; along with good direction and production. It also has its negative points - but then so do other movies and I would rather not get into those.
It may not be the DDLJ or Lagaan of hindi cinema, but it's the best movie of the year and definitely a movie that will entertain me for years to come.
To answer these and other questions:
Was it worth it: well depending on your perspective of what an entertaining movie should be like, then the answer would either be: 'yes definitely' or 'you will be mad to miss it'. It is so worth watching and with it Karan Johar has confirmed the he is indeed a milestone in Hindi Cinema history. The movie is definitely directed by a another (Nikhil Advani), but it is a Johar camp movie. With the Johar camp you associate a good story, good production, good songs and the 'King Khan'.
What would you compare it to? Well to be honest .nothing. It has the originality of `Kuch Kuch', the splendour of `K3G' and the freshness of `Dil Chaata Hai'; but it cannot be compared to any of these or other movies. It is in a league of its own. The story may start as the run-of-the-mill hindi-cinema story, but just when we begin to get comfortable with it, it takes a turn down another path. Don't get me wrong, it is not a complex story at all - but it is unique and compelling.
Would you watch it again? Well to be honest, I am writing this after having watched it a second time. What is so rare about this movie is that even the second time round I laughed at the jokes, tapped at the music and got emotional in the sad scenes.
What's it about? Well it will not be fair to tell you about it, as it's an experience you should have first hand. But it has its plus points: the comedy is great (both in the gujju digs as well as the 'kantabein' scenes); the music grows on you (maahi ve being the best); the guest appearances of 'charmed' actresses; the acting - excellent all round from SRK to Zinta to Saif to Jaya; along with good direction and production. It also has its negative points - but then so do other movies and I would rather not get into those.
It may not be the DDLJ or Lagaan of hindi cinema, but it's the best movie of the year and definitely a movie that will entertain me for years to come.
Munnabhai M.B.B.S
Inspired by the Hollywood movie 'Patch Adam', 'Munnabhai M.B.B.S.' tells the comedic story of a thug who wants to become a doctor. The film has its major share of comedic moments and its dramatic moments. It is indeed an entertaining film with the famously lovable characters like Munnabhai and Circuit.
Rajkumar Hirani may have taken the idea of an older outsider wanting to become a doctor from 'Patch Adams' but in essence 'Munnabhai M.B.B.S.' is its own film and it is the performances and comedy that make it worth the watch because most the dramatic moments are a little over the top. While the dialogue in the comedic scenes are witty and hilarious, the ones in the dramatic scenes are a mess.
Sanjay Dutt totally nails Munnabhai. It's hard to picture anyone else in the title role. The actor does full justice. It was nice to see Sunil Dutt after a long time and that too as father to his own son. The actor has a strong presence, even in a brief role. Gracy Singh is cute and adorable. Jimmy Shergill is awesome and holds his own as Zaheer and Boman Irani too does very well. However, it is Arshad Warsi who steals the show in a breakthrough performance as one of the most memorable film characters of recent time, Circuit.
Most of the songs are well balanced and are good additions to the film. I found Munnabhai's romantic ballad hilarious when he tries to convince the suicider to cut the crap. On the technical side, it's alright. On the whole this is one enjoyable flick.
Rajkumar Hirani may have taken the idea of an older outsider wanting to become a doctor from 'Patch Adams' but in essence 'Munnabhai M.B.B.S.' is its own film and it is the performances and comedy that make it worth the watch because most the dramatic moments are a little over the top. While the dialogue in the comedic scenes are witty and hilarious, the ones in the dramatic scenes are a mess.
Sanjay Dutt totally nails Munnabhai. It's hard to picture anyone else in the title role. The actor does full justice. It was nice to see Sunil Dutt after a long time and that too as father to his own son. The actor has a strong presence, even in a brief role. Gracy Singh is cute and adorable. Jimmy Shergill is awesome and holds his own as Zaheer and Boman Irani too does very well. However, it is Arshad Warsi who steals the show in a breakthrough performance as one of the most memorable film characters of recent time, Circuit.
Most of the songs are well balanced and are good additions to the film. I found Munnabhai's romantic ballad hilarious when he tries to convince the suicider to cut the crap. On the technical side, it's alright. On the whole this is one enjoyable flick.
Lagaan
While I feel some judicious pruning could have trimmed the nearly 4 hour long version I watched (the DVD of which included an additional 17 minutes cut from this version) the picture did not seem nearly as long as it really was.
Aamir Khan is such an instantly likable presence and Gracy Singh is simply irresistible as Gauri.
Paul Blackthorne was a hilarious, old-school villain right out of a penny dreadful melodrama – and I mean this as a compliment.
Rachel Shelley's Elizabeth was a perfect blend of Victorian reserved beauty and free spirit and noble in her heartbreak.
So many other performances ran the gamut from old school "b" stereotypical characters to some original ideas.
The blending of melodrama (in its purest sense) true comedic moments (the hen keeper), self and enlightenment culminated in the scene where Bhuvan shocks the village by touching an untouchable; his stirring, heartfelt speech about brotherhood and putting away castes shaming the village into enlightenment.
Hum Tum
The film leans on a truly electrifying chemistry between the two leads, Saif Ali Khan and Rani Mukherjee. Mukherjee is very appealing and natural and performs brilliantly throughout the film, but it is Saif Ali Khan who steals the show big time. Playing a trendy, humorous, carefree yet gracious womaniser, Khan seems to be tailor-made for the role of Karan, which gives him ample scope to showcase his superb comic-timing and never-seen-before acting skills. He performs with natural ease, infusing the part with the right amount of depth, wit and energy, and always appearing so real and effortless that it can be rightly concluded that no one else would have been able to do it as well as he did. This is an exceptional, unforgettable performance and, according to me, one of the greatest comic-dramatic performances in history.
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